On January 17, the walking, talking manifestation of the combined hatred of a billion minds wages war on Asgardia.

One of Thor’s most powerful opponents rears its head in writer Jason Aaron and artist Russell Dauterman’s MIGHTY THOR #703…and the beast’s name alone shakes the very firmament of the Nine Realms: Mangog.

Mangog’s strange stature as a vessel for alien consciousness elevated him to near godlike levels of power, making the creature nearly unstoppable. Having debuted in 1968’s THOR #154, each appearance of the Stan Lee and Jack Kirby creation has made for a true event in the history of the God of Thunder.

We checked in with Dauterman for a little insight into Mangog’s visuals before the stuff hits the fan.

Marvel.com: Russell, what do you love most about Jack Kirby’s original design for Mangog?

Russell Dauterman: I love how super weird it is! Kirby’s Mangog really looks monstrous and foreign and unlike anything you’d see in real life. The proportions also help make Mangog feel like an otherworldly creature. I especially love his mouth and his teeth. The proportions are so great.

Marvel.com: What did you want to bring to the design with this run in MIGHTY THOR?

Russell Dauterman: I wanted to keep that wonderful weirdness that the Kirby design has, but to update it with a more visceral feel. Mangog is a being born out of rage, and this fight is so emotion-filled. I made some elements of his design a little more organic to help convey that.

Marvel.com: What sorts of scenes do you love drawing for Mangog the most?

Russell Dauterman: Jason Aaron’s made a point to distinguish Mangog’s fight scenes from ones he’s written in other scripts—these feel particularly brutal. Since Mangog is a more monstrous villain than we’ve had before, I’m getting the opportunity to let loose and depict some more savage stuff.

Marvel.com: What else do you really dig about Jason’s take on the character?

Russell Dauterman: I really love the unbridled rage that Jason’s writing for Mangog. We’ve had serious threats for Thor over the past few years, but none where the villain was so bloodthirsty and brutal. Jason writes a truly terrifying Mangog, and I’m trying to bring that through in the art.

Read MIGHTY THOR #703, by writer Jason Aaron and artist Russell Dauterman, on January 17!

1917 to 2017: 100 years of Kirby.

Join us to celebrate Jack “King” Kirby’s 100^th birthday by learning about the characters and stories he created that changed comics forever. To commemorate Jack’s centennial, we’ve sat down with the modern-day creators he influenced—and the decades of work he gifted us all.

As Kirby 100 winds down to its final few weeks, we’re going to focus in on the King’s last issues and arcs on some of the books he became most well known for. Today, we spotlight FANTASTIC FOUR #102 from 1970 by Jack and Stan Lee which marked the end of an incredible run on the book by these two titans. Few would expect Kirby’s last FF adventure to begin with Johnny Storm and Crystal trying to nurse Ben Grimm back to health as the flu threatened to take out the team. However, they had much greater problems brewing once again with Namor at the center.

While sailing around in an Atlantean Naval patrol ship, The Sub-Mariner spotted a man unconscious on an island overrun by dinosaur-like creatures. The sea king jumped into the fray, beat away the flying attackers and decided to bring this stranger back to the land of the living, not realizing he now had none other than Magneto in tow!

Not long after, The Thing thought he might be losing his mind as he witnessed nearby buildings flying to pieces. As it happened, Magneto had woken up and started messing around with some of Namor’s equipment, allowing him to project his powers all the way to New York City. Back in Atlantis, the Master of Magnetism got the grand tour of his host’s palace, which Kirby took obvious delight in designing. The two human haters then discussed their shared disdain for those who walked the surface world and decided to team up.

Fantastic Four (1961) #102

• Published: September 10, 1970
• Added to Marvel Unlimited: November 30, 2007
• Penciller: Jack Kirby
• Cover Artist: John Romita

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In NYC, Mr. Fantastic explained to the rest of the team that he found the signal behind the disturbances coming from Atlantis. He also said that he had a weapon that could retaliate with a concussion missile that would act as a kind of warning shot. They didn’t intend to use the device, but after Magneto attacked them directly in their home, Grimm jammed the button and shot it off. Knowing what caused the rumblings in Atlantis, the mutant menace decided not to explain this to his host and continued pushing his new partner into declaring war on humanity. Namor moved forward with his retaliation, even agreeing to let Magneto tag along.

This story would continue for the next two issues, but without Jack Kirby. He left Marvel in 1970 and moved over to the Distinguished Competition for a few years before returning later in the decade. For more on the very last issue of FANTASTIC FOUR with new Kirby artwork, come on back for the very last installment of Kirby 100!

Stay tuned to Marvel.com for more throughout Kirby Month and beyond! And join the conversation on all of our social channels with the hashtag #Kirby100.