Additional reporting by TJ Dietsch

“If you really want to tangle with someone—why not try your luck against—the Wolverine!”

Imagine: It’s the summer of 1974. You’ve just read to the end of INCREDIBLE HULK #180—the newest issue—and a brand-new character nearly leaps out of the art at you with claws extended. You’re just not sure how you’ll be able to stand the wait until the next installment to see what’s up with this new mystery man, and then you turn to the book’s credit page and wonder how this Len Wein guy keeps coming up with all this cool stuff…

“The Wolverine” moved on past his throwdown with The Hulk and Wendigo to become one of the most popular comic book characters ever when he hooked up with a certain band of merry mutants a few months later in GIANT-SIZE X-MEN #1—also written by that Len Wein guy. Today, the long line of legacy from the writer through his creation to modern scribes and artists stands as a testament to the impact Wolverine’s made on the comics industry and its fans.

“In that seminal issue, Len established Wolverine’s blunt, pugnacious, take-no-prisoners voice as a character,” posits X-MEN: GOLD writer Marc Guggenheim. “Sure, Wolverine would become less verbose and chatty in future incarnations, but his blunt attitude was established in that first appearance in INCREDIBLE HULK.”

“It’s incredible how Len Wein, along with artist Herb Trimpe, shaped Wolverine perfectly from the very start,” says ULTIMATE WOLVERINE VS. HULK artist Leinil Francis Yu. “That [debut] is 40-years-old and it still reads like the Wolverine we have today, complete with the attitude and richness we all love about him.”

Mike Deodato, himself a veteran X-Men illustrator and current artist on OLD MAN LOGAN, agrees: “He is a rebel; he is rock n’ roll. He doesn’t care for anything or anybody, but at the same time he will give his life for them. He is savage, unpredictable, and that is what makes him so attractive.”

“It’s the physicality—short, hairy, like a gnarled old tree—and the indomitable spirit, I think,” ponders DEATH OF WOLVERINE writer Charles Soule when considering Wein’s mutant scrapper. “Wolverine never stops, no matter what gets thrown in his way. Because of his healing factor, it’s almost like he can’t stop. He’s very fun to write, but more importantly, very fun to read.”

Wolverine’s Canadian heritage made him something of a rarity at that time among super heroes, as well as his direct approach to problems in his path.

“In many ways, Wolverine was so unlike any character readers were really familiar with,” one-time WOLVERINE writer Cullen Bunn insists. “He was violent and vicious, but a hero, too. The mystery element was heavily ingrained in the character, which made him all the more interesting. He was working for the government, but beyond that, we didn’t know much about him. Maybe more than any character created before or since, he represented the potential for amazing stories ahead. Other creators capitalized on that potential, making Wolverine the household character he is today.”

“I think Wein created the ultimate outcast,” says Juann Cabal, the artist behind ALL-NEW WOLVERINE. “To me, Logan is the outcast among outcasts. To Wein’s credit, [he] gave him the appeal of being different, wild and mysterious without falling strictly into the antihero cliché. He might have his inner demons, but his moral compass is always pointing the right direction. In my opinion, this is what has made the character stay relevant all this time.”

Perhaps Cabal’s partner on ALL-NEW WOLVERINE, writer Tom Taylor, sums it up best when he notes that “there was something perfectly realized about that first appearance of Wolverine.”

“It was all there on the page. The attitude was there, the brash bravery. But Wolverine was also not infallible. He had a savagery, and wasn’t a perfect, untouchable hero. It was a character everyone wanted to see more of. And, clearly, the rest of the world did too. There have been so many great Wolverine stories. None would exist without Len.”

By summer of ’74, Wein’s comic career stood as relatively new, though he’d racked up a sizable number of scripts for a variety of titles. He’d taken over INCREDIBLE HULK only an issue before “the big one” but his introduction—along with artist Herb Trimpe and costume designer John Romita—of Wolverine to fight the jade giant forever cemented him into the firmament of comic book superstars.

He also, by all accounts, kept his feet firmly panted on solid ground.

“I got to meet Len a number of times in 2014 while I was writing the DEATH OF WOLVERINE story, as well as working on a long run featuring one of his other signature creations, Swamp Thing, over at DC,” says Soule. “I found him to be gracious and kind, and generous with his conversation and time. He dreamed up enormous swaths of the super hero landscape that will last for generations—a legacy most could only dream of.”

“First and foremost, Len’s creation of the ‘All-New, All-Different’ X-Men was seismic and industry-changing,” notes Guggenheim. “Without Len, there’s an excellent argument to be made that there wouldn’t be any X-Men today, and certainly not the X-Men that we’ve come to know, love, and cherish. I had the good fortune to meet Len a few years ago at San Diego Comic-Con and he truly couldn’t have been a nicer guy.  He clearly loved comics, both the industry and the medium.”

“As a creator, I think the truly incredible thing you discover writing [his] characters is just how different they are, and how human,” offers Taylor. “They have flaws. They’re complex. They struggle. Len’s characters breathe.”

Bunn takes it one step further: “Len’s work was a huge influence on me. Like many of my absolute favorite creators, he wore his imagination on his sleeve, and he didn’t let anything hold him back from putting that on the page.

“Since I owe my whole career to Wolverine, Len and Herb’s creation means a ton to me,” says Yu. “We may be divided by a few decades, but I am proud to inherit and to continue to breathe life into Wolverine and the X-Men.”

“As a fan, Len created some of my absolute favorite heroes,” concludes Taylor. “Some of these characters are the reason I’m a comics fan.

“The world would have been a far less heroic place without Len Wein.”