Sam Guthrie died. Everyone saw it. Everyone knows it.

Except…what if he didn’t?

On October 25, A.I.M. finds itself pondering that very question at the start of U.S.AVENGERS #11! Marvel Legacy dawns as writer Al Ewing and artist Paco Diaz assemble the team to find Cannonball on the vaguely nostalgic—yet wholly original—planet on which he finds himself.

We spoke with Ewing to see where the team has been, where they go now, and why Richie Redwood should not be messed with.

Marvel.com: How do we find the U.S.Avengers in the wake of Secret Empire’s upheaval?

Al Ewing: Well, in the wake of the Hydra takeover of the country, the U.S.Avengers feel badly damaged—Red Hulk’s developed some serious health problems after being ‘hacked’ by Hydra science, Dr. Toni Ho has given up her role as The Iron Patriot, and Cannonball has gone missing…and presumed dead. Meanwhile, S.H.I.E.L.D. doesn’t possess the power it once did, and that’s left A.I.M.’s status as a S.H.I.E.L.D. affiliate up in the air—which in turn led to unscrupulous government scumbag Kevin Krask making a play to become the power behind the scenes.

Roberto headed him off by giving up his Supreme Leader status—passing the leadership of A.I.M. to Toni—but that’s made him some powerful enemies and left A.I.M. and the U.S.Avengers adrift in the super spy community. And that’s when Smasher, the Shi’ar Superguardian—and Cannonball’s other half—dropped the bombshell that Sam Guthrie may not be dead after all.

Marvel.com: Issue #10 reveals that, despite everything, Cannonball remains alive. How does this affect each member of the team?

Al Ewing: This won’t be quite the last mission for the U.S.Avengers, but it does feel like it. Roberto, obviously, would travel to the ends of the universe—literally—to rescue Sam, and he won’t let anything like, say, giant 1920s gangster robots stand in his way.

But he won’t be the only one going along for this particular rescue mission; the whole team has a bond of friendship with Sam. Even the General, who reveals himself as the big softy we always suspected he was—and also reveals himself as someone who might be addicted to the power of becoming a Red Hulk, even if every transformation puts more strain on his increasingly damaged body.

Meanwhile, the search for Sam will be Toni’s first mission as head of A.I.M.—and she leads by example—but without the Iron Patriot armor, what does she bring to the table? We’ll find out.

Marvel.com: And what about Sam? How’s he doing lost out there in the big universe?

Al Ewing: Sam has no idea what’s going on, at first. Oddly, he feels fully at home in the alien worlds of outer space; it’s the strangely Earth-like atmosphere of Glenbrook that confuses him. He’s got enough of the old super hero instincts to investigate for a while. At the same time, he has a home and a family he needs to get back to; he only has so much patience for this nonsense. But when he decides to take his leave, will Glenbrook let him go?

Marvel.com: What can you tell readers about Glenbrook, U.S.A.?

Al Ewing: You’ve never seen anywhere like Glenbrook, U.S.A.! You’ve never seen any typical teenager like Ritchie Redwood, or his love interests Becky and Vanessa, or rival Gerry Mays, or his teacher Mr. Waspwind. Or Bugface Brown, who we don’t like to talk about any more, after…what happened.

Bugface Brown acted as a dangerous subversive, you see, and he had to be dealt with. All the filthy subversives must be dealt with. But let’s not talk about that, ha ha! Because talking about that would break character. And if you break character, Ritchie Redwood gets annoyed.

You don’t want that.

Marvel.com: How did Paco Diaz help to realize Glenbrook? Any further homages beyond the excellent cover by David Nakayama?

Al Ewing: Paco Diaz has a wonderfully lush line that looks great for the perfect ‘50s/’60s world of Glenbrook and for the outer-space craziness of the Shi’ar. I’m particularly fond of his command of expression—he’s got a great way with faces, and always nails the emotional beats. I’m also a big fan of his Roberto; Paco adds an extra dollop of suave sophistication to A.I.M.’s ex-leader that I always dig.

And yes, we can expect homages—and not just to classic teenage comics either. Fans of the X-Men will get some interesting surprises in these pages.

Marvel.com: What can fans expect from the team going forward? How does the team adapt to a new world after their Secret Empire experience?

Al Ewing: In some ways, we’re coming out of a rough patch into a brief burst of wild and wooly hilarity, a final fun-times adventure before…well, that would be telling.

But the Marvel Universe won’t give the U.S.Avengers much time to adjust to their new status quo. They’re going into the crucible, and they’re going to prove themselves once and for all—even if they end up with a memorial statue for their troubles. We’re coming up to the ultimate do-or-die battle, a fight for the fate of the entire world…and there’ll be no surrender.

Al Ewing and artist Paco Diaz’s U.S.AVENGERS #11 hits shelves on October 25!

Sam Guthrie died. Everyone saw it. Everyone knows it.

Except…what if he didn’t?

On October 25, A.I.M. finds itself pondering that very question at the start of U.S.AVENGERS #11! Marvel Legacy dawns as writer Al Ewing and artist Paco Diaz assemble the team to find Cannonball on the vaguely nostalgic—yet wholly original—planet on which he finds himself.

We spoke with Ewing to see where the team has been, where they go now, and why Richie Redwood should not be messed with.

Marvel.com: How do we find the U.S.Avengers in the wake of Secret Empire’s upheaval?

Al Ewing: Well, in the wake of the Hydra takeover of the country, the U.S.Avengers feel badly damaged—Red Hulk’s developed some serious health problems after being ‘hacked’ by Hydra science, Dr. Toni Ho has given up her role as The Iron Patriot, and Cannonball has gone missing…and presumed dead. Meanwhile, S.H.I.E.L.D. doesn’t possess the power it once did, and that’s left A.I.M.’s status as a S.H.I.E.L.D. affiliate up in the air—which in turn led to unscrupulous government scumbag Kevin Krask making a play to become the power behind the scenes.

Roberto headed him off by giving up his Supreme Leader status—passing the leadership of A.I.M. to Toni—but that’s made him some powerful enemies and left A.I.M. and the U.S.Avengers adrift in the super spy community. And that’s when Smasher, the Shi’ar Superguardian—and Cannonball’s other half—dropped the bombshell that Sam Guthrie may not be dead after all.

Marvel.com: Issue #10 reveals that, despite everything, Cannonball remains alive. How does this affect each member of the team?

Al Ewing: This won’t be quite the last mission for the U.S.Avengers, but it does feel like it. Roberto, obviously, would travel to the ends of the universe—literally—to rescue Sam, and he won’t let anything like, say, giant 1920s gangster robots stand in his way.

But he won’t be the only one going along for this particular rescue mission; the whole team has a bond of friendship with Sam. Even the General, who reveals himself as the big softy we always suspected he was—and also reveals himself as someone who might be addicted to the power of becoming a Red Hulk, even if every transformation puts more strain on his increasingly damaged body.

Meanwhile, the search for Sam will be Toni’s first mission as head of A.I.M.—and she leads by example—but without the Iron Patriot armor, what does she bring to the table? We’ll find out.

Marvel.com: And what about Sam? How’s he doing lost out there in the big universe?

Al Ewing: Sam has no idea what’s going on, at first. Oddly, he feels fully at home in the alien worlds of outer space; it’s the strangely Earth-like atmosphere of Glenbrook that confuses him. He’s got enough of the old super hero instincts to investigate for a while. At the same time, he has a home and a family he needs to get back to; he only has so much patience for this nonsense. But when he decides to take his leave, will Glenbrook let him go?

Marvel.com: What can you tell readers about Glenbrook, U.S.A.?

Al Ewing: You’ve never seen anywhere like Glenbrook, U.S.A.! You’ve never seen any typical teenager like Ritchie Redwood, or his love interests Becky and Vanessa, or rival Gerry Mays, or his teacher Mr. Waspwind. Or Bugface Brown, who we don’t like to talk about any more, after…what happened.

Bugface Brown acted as a dangerous subversive, you see, and he had to be dealt with. All the filthy subversives must be dealt with. But let’s not talk about that, ha ha! Because talking about that would break character. And if you break character, Ritchie Redwood gets annoyed.

You don’t want that.

Marvel.com: How did Paco Diaz help to realize Glenbrook? Any further homages beyond the excellent cover by David Nakayama?

Al Ewing: Paco Diaz has a wonderfully lush line that looks great for the perfect ‘50s/’60s world of Glenbrook and for the outer-space craziness of the Shi’ar. I’m particularly fond of his command of expression—he’s got a great way with faces, and always nails the emotional beats. I’m also a big fan of his Roberto; Paco adds an extra dollop of suave sophistication to A.I.M.’s ex-leader that I always dig.

And yes, we can expect homages—and not just to classic teenage comics either. Fans of the X-Men will get some interesting surprises in these pages.

Marvel.com: What can fans expect from the team going forward? How does the team adapt to a new world after their Secret Empire experience?

Al Ewing: In some ways, we’re coming out of a rough patch into a brief burst of wild and wooly hilarity, a final fun-times adventure before…well, that would be telling.

But the Marvel Universe won’t give the U.S.Avengers much time to adjust to their new status quo. They’re going into the crucible, and they’re going to prove themselves once and for all—even if they end up with a memorial statue for their troubles. We’re coming up to the ultimate do-or-die battle, a fight for the fate of the entire world…and there’ll be no surrender.

Al Ewing and artist Paco Diaz’s U.S.AVENGERS #11 hits shelves on October 25!