There's not much precedent for this sort of cinematic match, so I'm hesitant to say what should or should not be. But the Firefly Fun House Match that John Cena and Bray Wyatt put on at Wrestlemania 36 establishes some sort of upper limit on what the WWE audience is willing to swallow. It was chaotic (which was the point), but it was also incoherent (which was probably not the point). The multiple cutaways and bizarre interludes did not service the story these two men were attempting to tell.

What made Undertaker and AJ Styles' Boneyard Match so good is that it told a clear, linear story that took place in a real-world setting. Granted, there was some hocus pocus in it: The Undertaker teleported from one location to another, and he conjured fire on several occasions. But we weren't given any new information to process; the Undertaker did not unveil previously unseen superpowers. And as bonkers as it was, there was some cursory grounding in reality; they were, after all, fighting in a physical, identifiable location.

Cinematic wrestling segments don't need to be realistic. But they do need to adhere to their own narrative logic. And the Wyatt vs. Cena match did not do that.